The opening sequence, in which Cillian Murphy's sole survivor aimlessly wanders through an evacuated London, is especially noteworthy and one of the eeriest moments in a film I've seen in a long time. Although working on a noticeable low budget (the scene with the car driving past those superimposed air turbines is laughable), Boyle creates an authentic and gritty post-apocalyptic vision which follows through with the shocks in many places that Hollywood wouldn't dare. Reviewed by Leofwine_draca 7 / 10 Boyle's best by farĭespite the clichés, this is a fairly effective and gripping thriller from TRAINSPOTTING's Danny Boyle, an edgy film with enough ambiance and shocks to make it worthwhile. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature.-Claudio Carvalho, Rio de Janeiro, Brazil Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. He begins to seek out anyone else to find London is deserted, apparently without a living soul. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage.
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